Research achievements (PUBLICATIONS/REVIEWS (Misc))

Basic information

Name YAGISAWA Keisuke

Title

COMPOSITIONAL TECHNIQUE FOR“ERASED, SIGHT AND SOUND” FOR AUDIOVISUAL

Author

Keisuke YAGISAWA

Name of publication

Kunitachi College of Music

Publisher

Japanese Society for Sonic Arts

Volume (No.)

7

Issue (No.)

2

Start page

7

 

End page

9

Date of publication

2015-09

Presence/absence of peer review

Batu

Presence/absence of request

Batu(Ordinary Paper)

Language of publication used

Japanese

Posting category

Domestic

Type of publication

Prompt report, short report, and research note, etc. (scientific journal)

Type of authorship

Individual works

ISSN

 

DOI

 

NAID (CiNii ID)

 

PMID

 

Permalink

URL

Summary

“Erased, sight and sound” is an audiovisual piece that was inspired by the American graphic artist Robert Milton Ernest Rauschenberg’s (1925-2008) work entitled “Erased De Kooning” (1953). The drawing was created by Rauschenberg erasing a drawing he obtained from
the painter Willem de Kooning.  I focused on the idea of “erasing” by Rauschenberg, and the video part of this piece was created by the erasing of information of the video as a material.  The electronic sound was created by directly converting the video information to an audio signal, thereby creating an unsentimental and phenomenal representation of the visual stimulus into auditory stimulus. In this paper, I deal with the aesthetic considerations that led to the creation of this piece, and the technical description of how Processing and Max were used to create the video and electronic sound.

Remarks