Research achievements (PUBLICATIONS)

Basic information

Name TAWATA Shintaryo

Name of dissertation

The Exoticism of "Hara-kiri" : Japan on the Stage

Name of author

Tawata Shintaryo

Name of publication

STUDIES IN ART―Bulletin of Tamagawa University, College of Arts

Publisher

Tamagawa University, College of Arts

Volume (No.)

 

Issue (No.)

8

Start page

29

 

End page

43

Publication date

2016

Presence/absence of peer review

maru

Presence/absence of invitation

Batu

Language of publication used

Japanese

Posting category

Domestic

Type of publication

Research Paper (University and Research Institutions Bulletin)

Type of authorship

Individual works

ISSN

1881-6517

DOI

 

NAID (CiNii ID)

120006241333

PMID

 

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Summary

How did the“Hara-kiri”become popular word? It was a concept called“own death of the honor” forbidden under Christianity that attracted attention in theatrical art of“Japonism”which was full of the prosperity from the end of 19th century through the early 20th century. However,“Hara-kiri”on the stage was represented after the troupe of Otojiro Kawakami had played a scene of the“seppuku”. It was really dramatic, and“Hara-kiri”which might be drawn funny scene because it could not be understood was played as ghastly description till then by the Japanese Troupe.“Hara-kiri”was not satisfied with naturalistic theatre and had a strong influence on theorists of the new 20th century’s the- atricality“, Avant-grade”.ponisme”representation enough to wipe out an image of“Hara-kiri”.
 “Hara-kiri”already settled in the middle form of“Japonisme”theatre that gives the audience more expression which has an exotic effect than mysterious Japanese manners and customs.

Remarks