Jean-Luc Godard's Film Analysis Audiovisual Contemporary Art and Music Bulletin of Universities and Institutes これまでの研究によって明らかとなったゴダール独自の映像構成法（音と映像を横断的に跨がるシークエンス方法）のいくつかのパターンについて、これまで分析対象としていなかったゴダールの映画作品に対する分析を試みる。その上で、学内研究紀要、所属学会(JSSA)、その他関連分野について研究論文、研究ノートの執筆と発表を行う。同時に、それらの研究でまとまったメソッドを、自身の創作へと応用する。作品は、国内外問わず、複数のカンファレンスやコンペティションに応募する予定である。 Research on the sequence of sound and image found in the film works of Jean-Luc Godard, a leading French / Swiss film director in the 21st century, and research on its applicability to audiovisual works. Godard creates a strong character of him by using a common sequence method in his works, which tend to be different in his own creations. Focuses on the method of forming a context that straddles the image and sound as a factor, and aims to clarify Godard's unique methodology by conducting a detailed analysis. On top of that, it is a study that attempts practical application to audiovisual type works, which is his own creative area. Inspired by his film work, he aims to explore new artistic expressions and give back to society by trying to apply them to contemporary art and music.
