Academic Thesis

Basic information

Name TAWATA Shintaryo
Belonging department
Occupation name
researchmap researcher code 7000017961
researchmap agency

Title

Japonisme in the 19th century's theatre  - the transition of "Japanese-ness" –

Bibliography Type

Sole Author

Author

Tawata Shintaryo

OwnerRoles

Summary

From the end of the 19th century to the beginning of the 20th century, stage works representing at Japan have been manufactured in the United States and Europe. But now many of these are not known. These work groups can be named “Japonisme work”, which can be divided into two types. 
The first one, in the style of a conventional theater, and visual elements such as costume and stage equipment, has been directing the "Japanese-ness", such as music and songs to those of Japan it is intended. This is typified "Mikado" by Gilbert and Sullivan and "Madame Butterfly" by Puccini. In order to adopt a superficial “Japanese-ness”, authors were incorporated the sound of Japanese and names real Japanese name to their work.
The other is the style of traditional Japanese theater that brought to the Western theater.
When it comes to Japanese artists are many visit the United States and Europe, another authors were attracted that mimics the style of traditional Japanese theater including “Noh”. Such as written by Yeats "At the Hawk’s well" is an example.

Magazine(name)

Publisher

GLIM IR Institution Repository

Volume

Number Of Pages

StartingPage

EndingPage

Date of Issue

2016

Referee

Exist

Invited

Not exist

Language

Japanese

Thesis Type

Academic dissertation (doctor)

International Collaboration

International Journal

Domestic

ISSN

eISSN

ISBN

DOI

NAID

500001458424

Cinii Books Id

PMID

PMCID

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Url

Download

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